WEDDING GIFTS

Acornucopia! Mid-century modern meets Motawi mastery in these tiles based on the work of celebrated wildlife artist Charley Harper (1922-2007), a ...

A gorgeous Arts & Crafts floral motif to add to your Motawi collection! Actual Tile Size: Approximately 3 7/8” x 3 7/8”. As each Motawi tile...

This delicate stylized design of waterlilies, common in the tranquil ponds of the Midwest, is adapted from Frank Lloyd Wright's drawing "Waterli...

"Home may be where the heart is for humans, but for bluebirds the heart is where the home is going to be". Mid-century modern meets Motawi mastery ...

"All the world loves a ladybug. They're insect friend Number 1." - Charley Harper Mid-century modern meets Motawi mastery in these tiles based on...

Stylizing such an intricate flower as an iris proved tricky. Nawal Motawi mingled visual cues from multiple Arts & Crafts-period renderings t...

"Time Owlapses, and suddenly it's twins. How come Pop's not in the picture? He's out hunting midnight snacks owl la carte." - Charley Harper This...

Quartersawn White Oak with Craftsmen Finish Dimensions:  10.5w x 14.5h x 4.5d Dial and hands are covered with glass Quartz movement with "AA" ba...

6x8 Vienna Woods is based on Carl Otto Czeschka’s “Waldidyll (Forest Idyll),” originally created as a textile design and produced by Vienna’s r...

Quartersawn White Oak with Slate Finish Dimensions:  10.5w x 14.5h x 4.5d Dial and hands are covered with glass Quartz movement with "AA" batter...

Blooming Bell, a stunning Jugendstil floral, is Motawi’s take on a Gustav Marisch color lithograph published by the Wiener Werkstätte circa 1912...

Mid-century modern meets Motawi mastery in these tiles based on the work of celebrated wildlife artist Charley Harper (1922-2007), a self-describe...

Wright’s Oak Park Home and Studio on Chicago Avenue was the first residential design over which he had complete artistic control. Motawi Tilewor...

In 1927, Frank Lloyd Wright submitted a series of cover designs to Liberty magazine. All were rejected by the editors as too “radical” and were ...